The entertainment industry is evolving rapidly due to technological advancements and changing consumer preferences. CJ Entertainment, a leading South Korean film and entertainment enterprise, has found in Netflix a powerful ally which offers a global reach and technological prowess. Their partnership mainly focuses on distribution, licensing and creation, which has created new values and various risks for both parties simultaneously. This analysis will explore their co-opetition by SWOT analysis and identify their new values and risks.
Overview of CJ Entertainment and Netflix
CJ Entertainment is the largest entertainment and media company in South Korea, with diverse business in film, TV channel, music and artist management. Their high-quality production ability on TV series and film is well-known, who has successfully produced and distributed award-winning films - “Parasite”, gained international recognition. CJ Entertainment also invested in a local subscription VOD streaming platform “TVING” with JTBC and Naver in 2019.
Netflix is a world-leading streaming platform, which transitioned from DVD rentals to video-on-demand service with over 230 million subscribers worldwide by 2023. It has established an original content’s brand “Netflix Original” and become a significant player in film and TV series production.
SWOT Analysis and their Compatibility
New values
After the co-opetition, Netflix has been able to raise its prices without losing customers, who have increased its plans by $1-2 in the US while continuing to add new users. Also, Netflix has more than 6 million subscribers in South Korea. Korea has a population of 51.7 million people, the amount of Korean subscribers in 2023 was just 10% of the population. Therefore, there is a huge opportunity for Netflix to grow their subscribers in Korea. Korean content also ranks the top on the Netflix charts in terms of the number of consumed hours of original content produced in the country from which it originated, with local titles accounting for nearly 68% of watched shows
According to the survey by Deloitte, which accurately examined the socio-economic impact of Netflix on the Korean creative ecosystem since 2016, “Netflix investment in content production in Korea has contributed almost 5.6 trillion won ($4.3bn) to the country’s GDP across related fields, from publishing, to webtoons, to consumer goods. In addition, the report found that Netflix has helped create more than 16,000 jobs.”
“Netflix Original” will be labeled on Studio Dragon’s show, which also brings up a “Netflix effect”. This is a phenomenon that the shows that appear on the platform will launch actors and directors from obscurity to instant stardom. In 2021, the original drama “Squid Game” brought great influence to the world with 1.65 billion hours of streaming in the first 28 days. According to Bloomberg, this show cost 21.4 million to produce, but Netflix estimated this IP created almost 900 million in impact value for the company. According to CNBC, “Squid Game” propelled Netflix's subscriber base by growing 4.4 million in Q3 of 2021. The growth increased Netflix Q3 revenue by $7.5 billion.
Meanwhile, with the investment of Netflix, the IP dramas produced by Studio Dragons are sweeping the globe. The content distribution on Netflixs has blurred the geographical borders and united the global audiences, also helped CJ entertainment to access the international markets and expand its market presence beyond South Korea. According to the report by Parrot Analytics, the success of the Netflix original series from CJ “Kingdom” garnered millions of views globally and contributed to a 20% increase in viewership of Korean content on the platform in 2021. This also enhanced CJ’s brand equality, with increased visibility of CJ films and dramas on Netflix, CJ has solidified its reputation interantionally.
Risk for Both Sides
The co-opetition between two giants also brings various risks. Netflix plans to invest $2.5 billion in the next 4 years to produce more K-content shows. This investment has doubled the amount that Netflix has announced in 2016. As mentioned, the megahit of “Squid Game” had led Netflix to the top spot in the industry in 2021. However, no new hit series emerged to follow in the footsteps, while Netflix is facing the declining numbers of subscribers recently, which bring financial pressure to Netflix under the great production cost. Since the “Netflix’s Original” content is exclusive to the platform, it’s vital to increase and maintain its user base to make the content profitable. According to the Data management platform service Mobile Index data, the Netflix Monthly active users has dropped by 16 percent from 13.06 million in December 2023 to 10.96 million in June 2024. Meanwhile, the streaming platform that is invested by CJ entertainment “TVing”, has surpassed Netflix in daily viewing hours in 2024. The K-drama that broadcasted exclusively on Tving and tvN (the subsidiaries of CJ)- “Lovely Runner” achieved unexpected influence in the global market. The daily viewing time of the final episode on Tving, reached 2.5 million hours, surpassing Netflix’s 2.41 million hours on the same day, which shakened Netflix's No.1 OTT status.
Under the surge in international interest in Korean film and television, Netflix paid high attention to the original content in South Korea. Studio Dragon, which is invested by CJ and Netflix, needs to keep producing significant and hit content IP to the exclusive OTT platform to keep its leading status. However, there is keen competition among industry, Netflix has signed another multi-year deal with JTBC (another content hub in South Korea) to co-develop and showcase JTBC’s prime-time high quality TV drama. This may threaten Studio Dragon’s status and Netflix may not rely on Studio Dragon only to provide great K-content, which could limit CJ’s bargaining power and its exposure to markets.
Conclusion
The co-opetition between CJ Entertainment and Netflix demonstrated how traditional media companies can leverage partnerships with new media platforms to enhance their global reach and content offerings. Both parties are facing unique challenges and opportunities in a rapidly evolving landscape, but their partnership enables them to navigate the complexities of modern distribution and content consumption effectively.
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